David Gilmour
Brighton Centre
Brighton
Sept. 5th, 2015

Taper 1: EBR
Lineage: Sonic Studios DSM-6 > PA6-XP > M Audio Microtrack >

Wavelab > CD Wave Editor > FLAC Level 8
Location: Unknown

Taper 2: BNZ
Lineage: AT943 - SP-SPSB-11 (Bass Roll-off at 107 HZ) - Edirol R09 at 16 bit 44.1 Khz > SD card > SDslot > PC > Audition CC 2015 > 10db up > Cdwave > FLAC (8)
Location: Southern Stalls, a bit left of center.

Taper 3: Lordsnooty
Lineage: Church Audio 14 mics > Zoom H2 > WAV > xACT > FLAC (24bit/48kHz)
Location: West Balcony, row K

Band:
David Gilmour - guitar, vocals
Phil Manzanera - guitar
Guy Pratt - bass
Jon Carin - keyboards
Stevie DiStanislao - drums, percussion
Kevin McAlea - keyboards
Theo Travis - saxes, clarinet
Bryan Chambers - backing vocals
Louise Marshall - backing vocals

01 Intro 1:21
02 5AM 3:04
03 Rattle That Lock 5:41
04 Faces Of Stone 6:22
05 Welcome 0:58
06 Wish You Were Here 5:28
07 A Boat Lies Waiting 4:56
08 The Blue 5:50
09 Money 7:06
10 Us And Them 8:09
11 In Any Tongue 7:42
12 High Hopes 9:05

13 Intro 1:08
14 Astronomy Domine 4:37
15 Shine On You Crazy Diamond Pts. 1-5 10:12
16 Band Introductions 2:43
17 Fat Old Sun 6:34
18 On An Island 7:50
19 The Girl In The Yellow Dress 6:19
20 Today 7:10
21 Sorrow 9:29
22 Run Like Hell 6:57
23 Encore Break 3:14
24 Time 5:20
25 Breathe (Reprise) 1:13
26 Comfortably Numb 7:33
27 Outro 1:29

Total Time 147:30 (2:27:30)

Remaster
01. Repair clipping where needed
02. Re-balance frequencies/EQ*
03. Many high amplitude claps were removed or attenuated, each source
04. Clicks and microphone bumps were removed or repaired, each source
05. Reduce audience chatter and whistles were needed
06. Balance corrected, each source
07. Sync all sources
08. Combine sources to create stereo field given location of the tapers
09. Correct phasing and center sound field
10. Adjust dynamics
11. Track
12. Venue Seat Chart included

Notes:
Set 1 65:42, set 2 81:48.
Set two begins with 13 Intro and will fit on one CD if Intro/Outro or Encore break are omitted.
*Bass was very excessive in one source while deficient in the other two.
Other adjustments were made to attenuate excess frequencies and boost those that were deficient in each source.
Nice stereo separation at beginning of Rattle That Lock and Money
Rattle That Lock Live In Brightonabrigo is a 4th source that came available when this project was in progress.
It was from the East balcony so it would have been a nice symmetry to the lord snooty source but it was very hot with extensive clipping and crackle so it was not used.